Topic: Workflow / Sending Color Renders to Client

File > Export > Jpeg Still…

Topic: Workflow / First impressions on the Autocue T-series Grade "A" monitor

Nice write up, Ola. Thank you for sharing.
I hadn’t heard anything about Autocue until now.

/Jörgen

Topic: Workflow / Coloring "washed out" RED ONE footage

If you start by balancing out the magenta in the shadows and midtones – then you’re halfway there.
Use a secondary to key the green foliage – then add some saturation and color balance to match the green to the other shots:

Topic: Tips, Tricks and Tutorials / Question about the CSI Miami grade: creating a soft grad...

Default for a secondary is to have vignette off.
You just need to enable vignette and put it at the top of the frame.

Topic: The art of Color / Low Key lighting

Hi, Nelson.
Could you please link to a screenshot? It’s difficult to give advice on color without seeing an image :)

Topic: The art of Color / Problem with Tracking Vignettes

It’s a way of previewing the mask. To see the final result just select the “RGB bars” in the top right of the preview tab.

Topic: Workflow / ProRes vs Uncompressed

My workflow for Color is to convert the footage to ProRes 444 in FCP and then render in Color as ProRes 444 (Set the codec in the Project Settings tab).
This eliminates any gamma issues and the quality is good enough considering the 8 bit sources.

Topic: Tips, Tricks and Tutorials / lut software.

It sounds like you have a Quicktime gamma shift.

You probably render to Uncompressed or Prores 422 in Color.
My best advice is that you render to ProRes 444 and see if that helps.

Topic: Workflow / Color Environment

Copy pasted from ecinemasystems.com:

1. All light sources in the room should be 6500k daylight balanced
2. The illumination immediately surrounding the monitor shouldbe 25% (10% for CRT monitors) as bright as the full screen white luminance output of the monitor itself. This can be measured using a standard photographic light meter.

I guess that in five years we will have affordable OLED monitors on the market (Now they’re $25k).
But until then – get the best color grading monitor you can afford.

Instead of AE CS5 I would suggest you get the CS5 Production Premium Package. You never know if someone brings a project cut on Premiere Pro.
You also get Photoshop Extended which is worth the price difference alone.

And if you get an AJA Io Express instead of the Matrox you can use it for capture into Avid Media Composer 5.5.
That way you can use it for monitoring AND capture for the three major NLEs.
If someone wants to know if you can open an NLE project you should be able to answer “Yes, of course” even if you don’t agree with their choice in editing software.

Another advice is to get a decent RAID system.
I use an HDPro from Caldigit and it has been rock solid. It’s set to RAID5 which means that one drive can fail without data loss.
Data loss = time loss + money loss.

Put the MacPro and RAID cabinet in another room if possible. That way you won’t have to listen to the whirring fans all day long.

Good luck setting up your system

/Jörgen

Topic: Forum rules, suggestions & feedback / Grindhouse/B-Movie effects

You can add grain in the ColorFX tab.

1. Use an “old film” plugin for FCP, After Effects or similar app.
2. Composite stock footage of scratched film on top of your source material. Artbeats has a collection called Film Clutter which is great for this.

Topic: The art of Color / send to fcp

Did you split the clip in Color?

Topic: Off Topic / Is anyone here?

We purchased Resolve, GTX 285 and the decklink video card but we haven’t installed it. The current project will be graded with Color and then it’s Resolve all the way. Maybe we should start a similar site for Resolve? Like www.davincinodes.com or something :)

Topic: Workflow / How to download Apple Glows for Color

Please explain what you mean by Glows from Apple

Topic: Off Topic / Is anyone here?

It’s not dead. It just smells funny.

Topic: Workflow / Problem Color to FCP

Hi Roberto.

Are you using an external video monitor? Because on a computer screen the image can be different between applications.
Especially when Quicktime is involved.

Also try rendering to a different codec.
Instead of ProRes 422 – try ProRes 444. Or vice versa.

Topic: Workflow / Render Issues in Color!

Workaround

• Trim the R3Ds with latest Redcine-X.
• Bring the trimmed clips into Color at the end of the timeline
• Apply the grades from the erroneous clips and render the trimmed clips instead.
• Eyematch in FCP.

Topic: Workflow / How to install a Grade

You can store the colorgrade anywhere you want.
When you want to apply it go to Setup Room > Grades and navigate to the colorgrade and click Load.

Topic: Tips, Tricks and Tutorials / Editing Problem--

Select the sequence and use Media Manager to recompress to a codec supported by Color.
Apple ProRes 422 or ProRes 444 would be a good choice here.
Good Luck.

Topic: Tips, Tricks and Tutorials / Editing Problem--

What kind of media are you using?

Topic: Tips, Tricks and Tutorials / Color Fx question

A problem with Color is that it’s not a true floating point application – which means that you can’t bring anything back downstream if it’s been clipped previously. My suggestion is that you grade for the sky in the Primary room – making the rest of the image dark and dull. Then use a an HSL key to isolate the sky in a Secondary and bring the rest of the image up using the Control: Outside selection. Tweak the key with Key Blur and the HSL parameters to prevent any halo effect between the sky and the rest of the image.

Hope that helps.

Topic: Workflow / Software Only Davinci Resolve $995 ?!

We just ordered a GTX 285 (The last one in stock) and we’re waiting for the official release of Resolve in a couple of weeks. We use an MC Color surface and hopefully Euphonix will have an update ready soon.

Topic: Workflow / MC Color review

Intro

I saw the MC Color panel for the first time at IBC last year and since I had reviewed the Tangent Wave, I was curious what Euphonix had to offer the Apple Color crowd.

MC Color was shown at the Apple broadcast event and in the Euphonix booth and I played around with it for a couple of minutes on each occasion.
I didn’t like the trackerballs or how they interacted with Apple Color at IBC. It wasn’t very smooth and the sensitivity was way too high.
The guys at the booth told me it was a prototype and that they still had a lot of work to do before they started to ship the unit.

Many months later I received a production model of MC Color and just like the Tangent Wave I had the opportunity to use it for an actual project.

Unboxing

It’s a sleek, white box with a handle for carrying it. Like a MacBook box, only bigger.

Just like the Tangent Wave the balls are not installed when you receive the unit. The difference from the Wave is that the trackerballs doesn’t have any top plate to keep them in place after you drop them into the holes in the panel. At one occasion I had to chase a ball across the room when I tilted the unit to put a cable in the back of the MC Color.

Software

Unfortunately the software for MC Color is not as intuitive as the Control Mapper for the Tangent Wave. This is probably because the EuControl software is not just for Apple Color like the Wave plugin. Instead the software is used for the entire Euphonix Artist Series which is a whole range of control surfaces for sound design, sound mixing and video editing.

There are a lot more steps involved to change something as simple as a soft button because you have to dig through several submenus to reach the appropriate command you want to assign for the button.
Instead of clicking through a multi column interface a simple pull down menu or something like the Maya marker menu would be both faster and more intuitive. The ability to assign the same command to the same button across all rooms in one click would also be appreciated.

This is a new product and software can be patched or rewritten. I really hope that Euphonix will make the software slightly easier for Apple Color and other color grading software that decides to support the EuCon protocol in the future.

Hardware

Overall look and feel
The Euphonix unit has a more quality feel compared the Tangent Wave which is in the same price range at around $1500.
It’s compact, sturdy and has a nice rubbery feel to it. It sits firmly on the desktop and I really like the professional appearance.
Because it’s so compact it’s easy to fit the keyboard behind the panel or in front running the USB cable underneath.
The panel can be elevated and slanted using rubber feet or by using plastic brackets included in the box.

The panel uses a protocol from Euphonix called EuCon and it’s connected with regular ethernet cable directly to the computer’s ethernet port (preferred) or via an ethernet hub.
Since I have the computer in a different room it was easy to attach it to an existing ethernet cable and connect it to the free port in the MacPro.

Displays
The OLED displays are orange, have large text that is easy to read and they look spectacular. But when you use the rotary encoders your fingers are blocking the view.
If you want to glance at the numerical values you have to lift your hand, look at the display and then lower your hand again. It’s not the end of the world but it’s irritating enough that I suggest that future versions of the MC Color have the displays in front of the encoders and maybe at a slight angle towards the user to prevent glare from the monitors.

Buttons
The buttons are small and made of metal. They feel a bit flimsy but they are very tactile and work great when you’re grading.
I use the memory buttons the most and they’re positioned well on the panel to the right similar to the Tangent Wave.

Knobs/Rotary Encoders
During the week of grading I had some problems with one of the rotary encoders. Sometimes when turning the knob counter-clockwise, the value was set all the way down to zero and I had to reset and adjust it again.
Irritating to say the least, but this was probably just a faulty encoder with the review unit and not a general problem with the hardware.
Overall the knobs was smooth and precise. Values are reset when the knobs are pushed and when you push the NAV button the knobs will navigate between the different rooms in Color.

Jog Wheels
The jog wheels feel heavy and have a wonderful rubber surface. The smooth, precise and dampened motion makes it a breeze to adjust the lift, gamma and gain in Color. They are without a doubt the best feature on the MC Color panel and the build quality is far from the wobbly dials of the Wave.

There’s no dedicated Jog/Shuttle on the MC Color but you can use one of the Jog Wheels for transport after pressing a soft key.
Another alternative is to get an MC Transport with Jog/Shuttle from Euphonix and attach it to either side of MC Color since they share the same EuCon protocol.

Trackerballs
The prototype at IBC had trackerballs that were everything but smooth and precise. Sensitivity was set to high and the balls moved in tiny steps when fine-tuning the hues. I was pleasantly surprised to see that that the trackerballs for the production model was a lot smoother compared to the prototype. Not only did they feel better but the default setting for the sensitivity was just right.
The trackerballs rest on small white teflon balls and I guess that’s why they feel so smooth.

If you tried the MC Color at IBC and felt that the trackerball quality was too low – go to a dealer and have a second look.

Conclusions

MC Color is a control surface with an amazing quality for the price.
The hardware feels great, especially the trackballs and jog wheels which are buttery smooth and a real joy to use.

The drawback is the software. It’s glitchy and sometimes needs a restart to function properly.
Assigning functions to buttons are not intuitive and requires to many steps.

For the Wave review I ended by saying I wouldn’t make a purchase decision until I tried the Euphonix.
I’m glad I did. Because software can be updated – hardware can’t.
That’s the reason I would personally buy a Euphonix MC Color over a Tangent Wave.

But please try them both to know what’s best for you.
Go to a dealer and try them out. A good dealer would probably let you use the demo units over a weekend.

For more information about MC Color go to: http://www.euphonix.com/artist/products/mc_color/

Avid Aquires Euphonix

I received the unit for review just before NAB started and during my testing a press release announced that the manufacturer Euphonix was acquired by Avid.
So what does this mean for the future for Color users? Well nothing really.

From the press release:
“Avid plans to further develop an open standard protocol that greatly expands the ecosystem of compatibility between the Euphonix control surfaces and a wide range of Avid and third-party audio and video applications, including Media Composer and Pro Tools.”

If more applications support the interface then that could only be beneficial for any prospective buyers. At the time of this review, MC Color is compatible with Apple Color and the software Redcine-X from Red. Other companies have announced that they will support MC Color in the future.

Topic: Workflow / Buy Da Vinci Resolve or Euphonix panel ?

In these times when software and hardware are getting cheaper at a daily basis, I suggest that you budget your services so that you can pay the cost of the equipment in a single year. If you think you can attract clients with a full Resolve package then go ahead. It will probably be the kind of clients you want anyway instead of cheapskates who always demand more time and effort than what they pay you for.

Sometimes charging more for your services is actually better than competing on price.

Topic: Workflow / Output colours all wrong - Help!

Hi, Christian.
How are you monitoring the image in Color?

Topic: Workflow / Euphonix MC Color

Avid is not the evil company you think it is. It’s Apple who has a history of buying companies and then scrapping Windows support for the products because they want to sell computers along with the software. This happened for both Shake and Logic.

I am currently writing a review of the Euphonix Panel and I’ll see if I can find out more about the acquisition than what’s being said in the press release.